Hello fellow singers!!!!
So I am working hard on my sight reading at the moment and have figured out that it gets a lot easier to recognise intervals when they come from something I know. When I hear the two tones played one after the other they become a puzzle piece from a melody and suddenly they make a lot more sense. I recommend looking through your own repertoire or musical memory and pulling out the songs that resonate best with you. Or feel free to borrow some of mine.
***edit*** There is now a part 2 for the descending intervals!!! Click here once you have looked through the ascending intervals below: Part 2 – The Flip Side of Intervals
Well this ones fairly intuitive being a repeated note. But just to be all inclusive: The lead-in to the chorus of “Hopelessly Devoted to You” from Grease.
But – now…”
So you know there’s a show coming up you want to be involved with. And in the style of many audition briefs have been told to choose two songs. Maybe they’ve thrown in some words like ‘contrasting’ or phrases like in the “style of the show.” But where do you go from there?
Staring at that brief with absolutely no idea what to pick can be incredibly daunting but it doesn’t have to be. So I thought I’d help you all out by taking you through my process when it comes to audition song selection. It’s not the only process and by no means would I claim it is for every situation but its a good starting point for sure.
So you have the brief. Lets say it says something like this:
Thank you for your interest in My Fair Lady. Singing auditions will be assigned individual 15 minute appointment times. Please prepare two contrasting songs of no more than 32 bars each in the style of the show.
So lets walk you through how I would break that down.
I was looking over some old photos today and came across this great shot I took of some grapes. I remember at the time – before I realised the two bunches were tangled – how enamoured I was at this single red grape that I thought had appeared amongst my green seedless bunch. I should point out to you all that green seedless grapes are certainly my favourite. Had you asked me what I was heading to the table to get – it would not be the red grapes…. and yet it is this red grape that I certainly was not looking for that inspired me to take this photograph.
So often we walk into an audition room with this great worry about what we think the director is looking for: Do I look the part? Do they want someone taller? Should I portray my character a certain way? Does the director already know what they want? Do I even have a chance at this part?