Intervals part 2: The flip side of intervals

A while ago I did a post on musical theatre songs that relate to intervals in music: Some little memory tricks to make reading and singing intervals easier. Just incase you missed it, here’s part 1 again if you want a refresher: Reading and Recognising Intervals

So I take it you have learnt all of those!!! – But I’ve had some questions about finding the descending version of each interval. And in honesty, they can be much more difficult to wrap your head around than going up. So I’ve made a part 2 for you all!!! The flip side of intervals. A song doesn’t just go up and up and up (…  except at the end of Phantom of the Opera right sopranos?….) so it’s important to know your intervals going back the other way. Ready to give it a try? Let’s get started.

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Well [let’s start] at the very beginning shall we? A unison being the same way backwards and forwards, why not use this example from Sound of Music‘s “Do-Re-Mi.” (Even though I know you don’t really need one)

[Let’s start] at the very beginning…”


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Reading and Recognising Intervals

Hello fellow singers!!!!

So I am working hard on my sight reading at the moment and have figured out that it gets a lot easier to recognise intervals when they come from something I know. When I hear the two tones played one after the other they become a puzzle piece from a melody and suddenly they make a lot more sense. I recommend looking through your own repertoire or musical memory and pulling out the songs that resonate best with you. Or feel free to borrow some of mine.

***edit*** There is now a part 2 for the descending intervals!!! Click here once you have looked through the ascending intervals below: Part 2 – The Flip Side of Intervals

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Well this ones fairly intuitive being a repeated note. But just to be all inclusive: The lead-in to the chorus of “Hopelessly Devoted to You” from Grease.

But – now…”


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